I’ve never paid much attention to Lucio Fulci having seen Zombie Flesh Eaters (1979) as a teenager and dismissed it as crap. Other Italian legends like Mario Bava, Argento on his day, and Michele Soavi caught my attention but I’ve avoided Fulci films ever since. So I wasn’t expecting much from The House by the Cemetery. I may well have been wrong about Fulci. This is an often very subtle tale with a touch of Henry James about it. The final part of Fulci’s unofficial ‘gates of hell’ trilogy after City of the Living Dead (1980) and The Beyond (1981), it also features a plot where the dead cross over into the world of the living.
Dr Norman Boyle (Paula Malco) and his wife Lucy (Catriona McColl) plan to move the Massachusettscountryside. Yet the house they are moving into looks very much like the one in the photographs hanging on the wall in their city apartment in which their young son Bob (Giovanna Frezza) claims he can see a young girl (Silvia Collatina) at the window warning him never to go there. Norman hasn’t told them but he intends to investigate the murder/suicide of an old friend who had been researching the mysterious Dr Freudstein whose experiments many years ago were aimed at prolonging the lifespan of human beings.
The House by the Cemetery will satisfy anybody looking for gore but it is the atmospheric otherwordly feel of the film which makes it a success. It is admittedly not entirely coherent. It has the logic of a dream. Time and time again the locals tell Normanthey have seen him before though he insists he has never visited this place at all. This ambiguity works in the film’s favour though and adds to the dreamlike atmosphere.
Sergio Salvati’s cinematography brings an Autumnal feel to this sombre downbeat film. Italian exploitation films shared with their American counterparts a bleak worldview. Though this despair would give way in the United States to the cheap if not un-enjoyable thrills of the horror-comedy it never really left the Italian genre film at least until the industry began to fall apart in the 90’s.
Fulci regular Catriona McCall is an effective scream queen but poor Giovanna Frezza is lumbered with horrendous dubbing on the English language version. It sounds like a fifty-four year old woman is imitating a nine-year old boy. Best stick with the original Italian language track. There is an interview with both stars on the disk in which both discuss the movie and their other work in Italian horror, as well as a wealth of extras, documentaries, commentaries, and written work to accompany the movie.
Also out today from Arrow is Forbidden Zone, a cult curio from Richard Elfman and his brother Danny who draw their inspirations from the same kind of pop culture Americana as early Sam Raimi and Tim Burton but with less interesting results.
Made as a showpiece for their band The Mystic Knights of the Oingo Boingo its demented college boy humour wears thin, but there are some catchy songs, and Hervé Villechaize turns up playing a trumpet.
A Scunner Darkly 
There is no “original italian language track”. The Italian version is also dubbed. Although it is probably better, if you say the child’s dubbing is that bad. The little girl’s voice is very creepy in the Italian version.
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Anyways… I had almost the exact same experience as you with Fulci! I changed my thoughts on him seeing House by the cemetery, too… Many people in Italy (among the few ones who saw it…) seem to hate both this film and Dellamorte Dellamore, I’ll never get why! They think both films are pure rubbish.
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