Just back from the latest screening at the Station. Mike Nichols film has held up well and remains one of the most interesting films from that particular period in American cinema. Here are my accompanying notes for the screening programme.
The Graduate (1967, Mike Nichols)
When you’ve got to choose
Every way you look at this, you lose
‘Mrs Robinson’ Simon & Garfunkel
Anticipating the aimless troubled protagonists of the late 60’s and early 70’s in American films like Midnight Cowboy (1969, John Schlesinger), Five Easy Pieces (1970, Bob Rafelson), and Taxi Driver (1976, Martin Scorsese), The Graduate is a darkly comic movie about a young man’s affair with an older woman. Benjamin (Dustin Hoffman) has just graduated from college as an award-winning scholar and track star. Everybody wants to know what he plans to do next but Benjamin has no idea. His parents are pressurising him to go to Grad school but Benjamin would rather just take it easy for a while. Drinking her way through a bad marriage, whatever dreams Mrs Robinson (Anne Bancroft) may have had are long gone. Cynical and embittered she may be but Mrs Robinson is still a very attractive woman and she seduces Benjamin despite his weak attempt at preserving his innocence. But their secret relationship becomes awkward when her pretty daughter Elaine (Katherine Ross) returns from university.
The clash between the younger generation and the establishment was playing out across America with anti-Vietnam protests, civil rights demonstrations, and an emerging counter culture which rejected many of the ideals their parents believed in. Director Mike Nichols and his screenwriters Buck Henry and Calder Willingham present this generational conflict in The Graduate. Though the story is told from Benjamin’s perspective he is as flawed as his elders. The older generation are presented as being decadent and burnt out, yet they do at least know what they believe in. Benjamin is drifting, terrified by the lightness freedom can bring.
Nichols won a Best Director Oscar for his work on The Graduate. Having tasted success with his adaptation of the play Who’s Afraid of Virginia Woolf? (1966). Nichols work here is more formally daring often foregoing narrative for observing Benjamin as he wanders around looking lost or hangs out by the pool. Simon and Garfunkel’s music is an integral part of the film. Though only the track ‘Mrs Robinson’ was written specifically for The Graduate the songs taken from their album ‘The Sound of Silence’ lend a haunting atmosphere to the film.