Ivan Sen’s impressive sequel to 2013’s Mystery Road sees detective Jay Swan (Aaron Pedersen) once again searching for a lost girl in a remote area of Australia. Last time we saw Swan he was standing tall in true Western style having just faced down a violent gang in the outback, but it’s clear from Pedersen’s demeanour he’s no longer the same man. We learn later Jay’s drug-addict daughter from the first film has since died and he’s taken to drink in a big way. Sent out to the tiny mining town of Goldstone on “light duties” to investigate the reported sighting of a missing young Chinese woman he spends the first night in jail after being pulled over by local lawman Josh (Alex Russell) for drink-driving.
Josh is the only lawman in town, but his job is basically breaking up drunken brawls and doing the bidding of local mining company boss Johnny (David Wenham, think evil Rhys Darby) and town mayor (Jacki Weaver). Josh might not be taking the cash bribes offered to him, but he knows when to let things slide. There is no evidence a Chinese girl was ever in Goldstone and nobody’s talking. Even the local indigenous community wants nothing to do with Jay. The sighting was called in by Maria (Ursula Yovich) months ago but it’s only now the authorities have taken an interest and sent him out there. Jay’s visit is watched over by company man Tommy (Tom E. Lewis) who warns him off the next day. Later his mobile home is machine-gunned by a biker gang. Josh wants Jay gone before he causes any more trouble, while Jay thinks the Goldstone man is shirking his duties. Both rile each other into action. Jay to sober up and Josh to finally start acting like a cop despite the intimidation they both face from those intent on protecting their business interests at any cost.
Like Mystery Road the film utilizes the Western genre to tell a story about the culture clash between the disenfranchised indigenous community and those who seek to exploit the land for profit. The charismatic Pedersen’s taciturn hero is a wonderful creation, a man trapped between cultures but increasingly drawn back to his roots. Once again he faces corruption from authority figures, an outlaw gang, and even a rival gunslinger (Aaron Fa’oso) this time but there’s a departure away from the realism of the first film towards a kind of mysticism where the land has a profound haunting effect on those who are willing to make a connection with it. Sen’s dialogue is occasionally portentous, but Goldstone is an ambitious film, beautifully shot (by Sen who also wrote the music and edited) with a rousing finale as the two lawmen join forces for a stunning showdown. There’s a sub-plot which hints at a possible third film and I sincerely hope they Pedersen and Sen make this a trilogy.